Author: mansourhePage 1 of 2
Since I started my journey with photography in 2012, I have opened my eyes to the subtle poetry of the street. Unlike a painter, a photographer has to rely on what the world has to offer at a given moment when the camera is to hand. It’s one of the reasons, I fell in love with the idea of serendipity, for the potential to create magic. Though I am still developing my own consistent style, I am a colour photographer, I only see in colour, despite my nostalgic sensibilities, I adore the hues of tropical light. Who I am as a person influences my photography, an eternal optimist, inclined to a rose tinted vision.
I am passionate about photography not just as a contemporary art form, but as a means of a creative and personal expression. Photography captivates me for its capacity to tell a story, both about the photographer and the subject in front of the lens; it can evoke a sense of intrigue, questions and emotions.
I now appreciate that as a photographer, to say something compelling, you often have to revisit a place and immerse yourself, to truly appreciate all the elements that make it unique; this contrary to the whirlwind of modern living and social media trends. Though I have an affinity for warmer climates because of the quality of the light, the striking colours and the fact that life is lived out on the streets, taking photographs locally also is a source of joy for me. I try to find inspiration also in other artistic mediums for creative ideas for personal projects.
These photos were taken in Mathildenhöhe, Darmstadt from January to March 2021, when the city was bidding stage for the World Heritage UNESCO status.
These photos were taken in Havana (in 2018 and 2019). The series is nostalgic and a nod to a bygone era , and admiration for the struggle to survive, much like the story of Cuba itself.
My first real encounter with charities on the ground, Goodwill Caravan (GWC), who offer shelter, legal aid and a clear mission to help the most vulnerable refugees transition to a normal life.
Heavily influenced by the soundtrack to one of my favourite movies, Casablanca, and inspired by the Moorish architecture and the beauty as well as charm of all things…
During the winter of 2018, whilst strolling along the Malecon during a photo workshop with Nicolas Pascarel, we got talking with a sweet old lady called Irida. There was a dignity…
It was during the winter of December 2017, and then again in 2018, where I had the freedom to roam this Moorish playground, to indulge in the dramatic…
In the Spring of 2018, together with my colleagues and friend, I took a photo workshop in the Enigmatic City of Maputo. with my photography maestro Nicolas Pascarel….
The sounds of Havana.
Il mare non bagna Napoli (“The Sea Does Not Bathe Naples”) is the title of a book published by Anna Maria Ortese in 1953; the book is a collection…
La Mansión Camagüey, Concordia #418, Centro Habana; Inside the fairly conventional exterior, is the stuff of dreams, a timeless architectural gem
Photos taken during the winter of 2017 and 2018. It’s to express the gloom of winter, that can also be often experienced in the tropics.
The main theme of this workshop was building a photo series, narrative and photo stories. Nicolas was with us during the day, and each evening we had slideshows…
Finding your vision, a workshop by Alex Webb and Rebecca Norris Webb in Officine Fotografiche, organised by RVM. Workshop Assistant Serena Vittorini. The aim of this workshop was to develop…
These photos are from 2014, my first trip to Havana. Lensculture gave very positive feedback “Your view comes from a very cinematic lens, which is wonderful”. These photos…
A surreal drive at sunset, back in 2014, along the iconic Malecon, to the legendary suburb of Miramar.
36°37′N 24°54′E, 2015 Photos taken during a workshop with Nicolas Pascarel, May 2015. The theme of the workshop was Ulysses.
Love is the water of Life. Words are a pretext. It is the inner bond that draws one person to another. The path along which we travel with…